We need emotional content! (Bruce Lee, Enter the Dragon)


Rants and comments on movies

With special focus on asian films

Tuesday 11 March 2008

Blue Jean Monster (1991)


Shing Fui-On is one of those character actors you see time and again in mostly the same kind of roles. He is a big, quite ugly looking guy and is cast often as a violent thug or as bumbling thug or as any other kind of thug. His latest role was in the Pang Brothers flick THE DETECTIVE (maybe I'll write about that one later on, but it didn't impress me so much), but he is more than 30 years in the business, and has appeared in a lot of trash and some classics. A BETTER TOMORROW II, TIGER ON THE BEAT, PRISON ON FIRE and THE KILLER are the most illustrious entries on his filmography, but BLUE JEAN MONSTER is, well, different.
Firstly Shing plays the lead and a good guy in this one – well, sort of, at least. He is Tsu Hsiang, a cop, devoted husband and expecting father. Being played by Shing, he also is quite violent, when he hunts criminals. While pursuing a very dangerous group of bank robbers, he is killed, but that isn't the end of him. With the help of a cat, a lot of electricity and the wild imagination of the script writer, he comes back to life. Or better said: to the Frankenstein kind of pseudo-life. Tsu now has only two goals: stay alive long enough to see his child and punish the evil gangsters who killed him.
Hm, so it is a straight horror thriller with a monster on the rampage, right? Wrong! Sure, there are a lot of bloody killings (mostly not by Shing), but this is mainly a comedy. Tsus wife (Pauline Wong) gets the wrong idea about his behavior and thinks, he became guy, while his crippled young sidekick and his cutie pie girl friend (Gloria Yip) are convinced, he is a ghost and try to exorcise him. Crazy hi-jinx occur, including a cameo by Amy Yip and her two biggest assets, a lot of bad puns, offensive jokes about sexuality and handicapped people, wild plot shifts and explosive stunts.
Exploitation to the max, this a quintessential movie to understand, what made Hong Kong movies so unique and enjoyable in the late Eighties and early Nineties. There is no clear distinction between comedies, dramas, action thrillers and horror movies. Just throw everything into the blender and don't forget to add the kitchen sink! Sorry to offer an old cliché, but BLUE JEAN MONSTER is really a roller coaster ride of a movie. Never a dull moment and a lot of fun to watch. And (sorry: another corny phrase) sadly they don't make 'em like this any more. And that's a shame!

Been awful quite for a while

But now I'm back. I have big pile of movies I watched and planned to write about, among them TRIANGLE, THE DETECTIVE, NARAKA 19 and a lot of others, but couldn't bring myself to do it. They just didn't triggered my brain into action. Maybe, because there was a vague sense of disappointment with the most of them, that wasn't enough to make me write a scorcher. And just to say "it was kind of alright but not really either" would have been to much work and too much of a bore.
So it took a lot of rethinking and the unexpected joy in watching BLUE JEAN MONSTER to make me realize the point of this blog: I don't have to review all the new movies I happen to see, I want to share flix I enjoyed, when ever the were made. And so I put the pile of mediocre new releases on the shelves, where they belong, and give you stuff I really like (or dislike).
Maybe I'll write about some of them later, but at the moment I don't see any point in saying anything about the mentioned movies.
All right, and now back to business!